• ‘Walkscape Encounters with Sound’ by Tomás Quintais

    Creating a sense of place – whether through social, historical, or geographical dynamics of encountering – often involves multiple layers of situated listening, closely tied to the act of walking. At the same time, engaging in dialogue with a place implies a collective process of belonging, shaped by different forms of perception.This sonic exercise invites…

  • ‘Aveiro Listening’ by Tiago Cutileiro

    “Wherever we go we will give our ears priority” – Hildegard Westerkamp Aveiro Listening is a real and fictitious soundwalk and, at the same time, an effective and imaginary mental wandering that, like almost all variants of this artistic format (the soundwalk), seeks to (re)activate listening (external and internal) as a primordial contemplative gesture, as…

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